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Zimbardo, Xavier. Monks of Dust: The Holy Men of Mount Athos. New York: Rizzoli, 2001. TR 647 .Z56x 2001
Benedetti, Robert. Action!: Acting for Film and Television. Boston: Allyn & Bacon, 2001. PN 1995.9 .A26 B46 2001
Bergesen, Albert J. God in the Movies. New Brunswick: Transaction, 2000. PN 1995.5 .B44 2000
Bernardi, Joanne. Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Detroit: Wayne State Univ. Press, 2001. PN 1993.5 .J3 B47 2001
Buckland, Warren. Cognitive Semiotics of Film. New York: Cambridge Univ. Press, 2000. PN 1995 .B796 2000
Buhle, Paul. Very Dangerous Citizen: Abraham Lincoln Polonsky and the Hollywood Left. Berkeley: Univ. of California Press, 2001. PS 3531 .O377 Z59 2001
Branston, Gill. Cinema and Cultural Modernity. Bukingham: Open University, 2001. PN 1993.5 .U65 B675 2000
Burton, Alan and Laraine Porter, eds. Pimple, Pranks & Pratfalls: British Film Comedy Before 1930. Flicks Books, 2000. PN 1993.5 .G7 P56 2000
Callow, Simon. Night of the Hunter. London: British Film Institute, 2000. PN 1997 .N5215 C3 2000
Carr, Steven Alan. Hollywood and Anti-Semitism: A Cultural History up to the World War II. New York: Cambridge Univ. Press, 2001. PN 1993.5 .U65 C37 2001
Chakravarty, Sumita S. ed. The Enemy Within: The Films of Mrinal Sen. Flicks Books, 2000. PN 1998.3 .S4 M75 2000
Cherchi Usai, Paolo ed. Griffith Project; v. 4: Films Produced in 1910. London: British Film Institute, 2000. Pn 1998.3 .G76 G76 1999 vol. 4
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Curle, Howard ed. Vittorio De Sica: Contemporary Perspectives. Toronto: Univ. of Toronto Press, 2000. PN 1998.3 .D42 V58 2000
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Davies, Peter. Antique Kilims of Anatolia, rev. edition. New York: W.W. Norton, 2000. NK 2865 .A1 D35 2000
Everett, Anna. Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949. Durham: Duke Univ. Press, 2001. PN 1995.9 .N4 E94 2001
Ferreira, Jairo. Cinema de Invencao. Brasil: Limiar, 2000. PN 1995.9 .E96 F45 2000
Fullerton, John and Olsson, Jan eds. Nordic Explorations: Film Before 1930. London: J. Libbey, 1999. PN 1995.75 .N67 1999
Glassy, Mark C. Biology of Science Fiction Cinema. Jefferson: McFarland, 2001. PN 1995.9 .S26 G56 2001
Gordon, Rae Beth. Why the French Love Jerry Lewis: From Cabaret to Early Cinema. Stanford: Stanford Univ. Press, 2001. PN 1969 .C34 G67 2001
Haberski, Ramond J. It's Only a Movie!: Films and Critics in American Culture. Lexington: Univ. Press of Kentucky, 2001. PN 1995 .H213 2001
Hamamoto, Darrell Y. ed. Contervisions: Asian American Film Criticism. Philadelphia: Temple Univ. Press, 2000. PN 1995.9 .A78 C68 2000
Harper, Sue. Women in British Cinema: Mad, Bad and Dangerous to Know. London: Continuum, 2000. PN 1995.9 .W6 H28 2000
Hart, Kylo-Patrick R. Aids Movie: Representing a Pandemic in Film and Television. New York: Haworth, 2000. PN 1995.9 .A435 H37 2000
Hathaway, Henry B. Directors Guild of America Oral History, edit by Rudy Behlmer. Lanham: Scarecrow, 2001. PN 1998.3 .H373 A5 2001
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Jacobs, Del. Revisioning Film Traditions: The Pseudo-Documentary and the Neowestern. Lewiston: Edwin Mellen, 2000. PN 1995.9 .D62 J33 2000
Kalat, David. Strange Case of Dr. Mabuse: A Study of the Twelve Films and Five Novels. Jefferson: McFarland, 2001. PN 1995.9 .D58 K35 2001
Kauffmann, Stanley. Regarding Film: Criticism and Comment. Baltimore: Johns Hopkins Univ. Press, 2001. PN 1995 .K297 2001
Kelly, Richard. Name of this Book is Dogme95. London: Faber and Faber, 2000. PN 1993.5 .D4 K45 2000
King, John ed. Argentine Passion: Maria Luisa Bemberg and Her Films. London: Verso, 2000 PN 1998.3 .B46 A74 2000
Kubrick, Stanley. Stanley Kubrick: Interviews, edited by Gene D. Phillips. Jackson: Univ. Press of Mississippi, 2001. PN 1998.3 .K83 A5 2001
Leff, Leonard J. Dame in the Kimono: Hollywood, Censorship, and the Production Code. Lexington: Univ. Press of Kentucky, 2001. PN 1995.62 .L4 2001
Lehman, Peter ed. Masculinity: Bodies, Movies, Culture. New York: Routledge, 2001. PN 1995.9 .M46 M34 2001
Levison, Louise. Filmmakers and Financing: business Plans for Independents, 3rd edition. Boston: Focal, 2001. PN 1995.9 .P7 L433 2001
Levy, Emanuel. Oscar Fever: The History and Politics of the Academy Awards, rev. edition. New York: Continuum, 2001. PN 1993.92 .L48 2001
Lewis, Ian. How to Make Great Short Feature Films: The Making of Ghosthunter. Oxford: Focal, 2001. PN 1995.9 .P7 L45 2001
Lowenstein, Stephen ed. My First Movie: Twenty Celebrated Directors Talk About Their First Film. New York: Pantheon, 2000. PN 1998.2 .M98 2000
Mcloone, Martin. Irish Film: The Emergence of a Comtemporary Cinema. London: British Film Institute, 2000. PN 1993.5 .I85 M34 2000
Mannoni, Laurent. Great
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Massey, Anne. Hollywood Beyond the Screen: Design and Material Culture. Oxford: Berg, 2000. NK 1443 .M37x 2000
Matthews, Nicole. Comic Politics: Gender in Hollywood Comedy After the New Right. Manchester: Manchester Univ. Press, 2000. PN 1995.9 .C55 M379 2000
Mitchell, Charles P. Guide to Apocalyptic Cinema. Westport: Greenwood, 2001. PN 1995.9 .S26 M575 2001
Mitry, Jean. Semiotics and the Analysis of Film. Bloomington: Indiana Univ. Press, 2000. PN 1995 .M54813 2000
Moeller, Felix. The Film Minister: Goebbels and the Cinema in the "Third Reiche". Stuttgart: Edition Axel Menges, 2000. Quarto PN 1993.5 .G3 M6413 2000
Naficy, Hamid. Accented Cinema: Exilic and Diasporic Filmmaking. Princeton: Princeton Univ. Press, 2001. PN 1993.5 .D44 N34 2001
Nourmand, Tony ed. Film
Posters of the 50s: The Essential Movies of the Decade from the Reel POster
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Orr, John. Art and politics of Film. Edinburgh: Edinburgh Univ. Press, 2000. PN 199 .O767 2000
Peacock, Richard Beck. Art of Moviemaking: Script to Screen. Upper Saddle River: Prentice Hall Ptr., 2001. PN 1995.9 .P7
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Rajadhyaksha, Ashish . Encyclopaedia of Indian Cinema, rev. edition. London: British Film Institute, 1999. PN 1993.5 .I8 R277 1999
Rashkin, Elissa. Women Filmmakers in Mexico: The Country of Which We Dream. Austin: Univ. of Texas Press, 2001. PN 1993.5 .M4 R33 2001
Ray, Robert B. How a Film Theory Got Lost and Other Mysteries in Cultural Studies. Bloomington: Indiana Univ. Press, 2001. PN 1995 .R39 2001
Rea, Peter W. Producing and Directing the Short Film and Video. Boston: Focal, 2001. PN 1995.9 .P7 R375 2001
Read, Jacinda. New Avengers: Feminism, Femininity and the Rape-Revenge Cycle. Manchester: Manchester Univ. Press, 2000. PN 1995.9 .W6 R43 2000
Rothman, William. Reading Cavell's the World Viewed: A Philosophical Perspective on Film. Detroit: Wayne State Univ. Press, 2000. PN 1995 .R685 2000
Sargeant, Amy. Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde. London: I.B. Tauris, 2000. PN 1998 .A3 P837 2000
Sargeant, Jack. Naked Lens. London: Creation Books, 1997. PN 1995.9 .E96 S265 1997
Singer, Ben. Melodrama and Modernity: Early Sensational Cinema and its Contexts. New York: Columbia Univ. Press, 2001. PN 1995.9 .M45 S56 2001
Sinyard, Neil. Jack Clayton. Manchester: Manchester Univ. Press, 2000. PN 1998 .A3 C4985 2000
Slane, Andrea. Not
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Solomon, Jon. Ancient World in the Cinema, revised edition. New Haven: Yale Univ. Press, 2001. PN 1995.9 .H5 S6 2001
Spaas, Lieve. Francophone Film: A Struggle for Identity. Manchester: Manchester Univ. Press, 2000. PN 1993.5 .F S63 2000
Spicer, Andrew. Typical Men: The Representation of Masculinity in Popular British Cinema. London: I.B. Tauris, 2001. PN 1993.5 .G7 S65 2001
Stollery, Martin. Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: Univ. of Exeter Press, 2000. PN 993.5 .E8 S76 2000
Stone, Oliver. Oliver Stone: Interviews. Jackson: Univ. Press of Mississippi, 2001. PN 1998.3 .S76 A5 2001
Studlar, Gaylyn ed. John Ford Made Westerns: Filming the Legend in the Sound Era. Bloomington: Indiana Univ. Press, 2001. PN 1998.3 .F65 J65 2001
Sunshine, Linda ed. Crouching Tiger, Hidden Dragon: A Portrait of the Ang Lee Film. New York: Newmarket Press, 2000. PN 1997 .C8772 C76 2000
Taylor, Richard. Battleship Potemkin: The Film Companion. London: I.B. Tauris, 2001. PN 1997 .B7573 T39 2000
Temple, Michael ed. Cinema Alone: Essays on the Work of Jean-Luc Godard, 1985-2000. Amsterdam: Amsterdam University Press, 2000. PN 1998.3 .G63 C5 2000
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Vorhaus, Bernard. Saved from Oblivion: An Autobiography. Lanham: Scarecrow, 2000. PN 1998.3 .V68 A3 2000
Waldman, Harry. Maurice Tourneur: The Life and Films. Jefferson: McFarland, 2001. PN 1998.3 .T64 W35 2001
Welch, David. Propaganda and the German Cinema, 1933-1945. London: I.B. Tauris, 2001. PN 1995.9 .N36 W45 2001
Wills, David ed. Jean-Luc Godard's Pierrot Le Fou. New York: Cambridge Univ. Press, 2000. PN 1997 .P482 J43 2000
Winkler, Martin M. ed. Classical Myth & Culture in Cinema. New York: Oxford Univ. Press, 2001. PN 1995.9 .M96 C59 2001
Yau, Esther C.M. ed. At Full Speed: Hong Kong Cinema in a Borderless World. Minneapolis: Univ. of Minnesota Press, 2001. PN 1993.5 .C4 A184 2001
Zizek, Slavoj. Fright of Real Tears: Krzysztof Kieslowski Between Theory and Post-Theory. London: BFI, 2001. PN 1998.3 .K54 Z59 2001
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Theatre
Barrell, M. Kav. Technical Production Handbook: A Guide for Performing Arts Presenting Organizations and Touring Companies, revised edition. Santa Fe, NM : Western States Arts Federation, 1991. PN 1590 .P74 B37 1991
Berghaus, Günter ed. New Approaches to Theatre Studies and Performance Analysis: Papers Presented at the Colston Symposium, Bristol, 21-23 March 1997. Tübingen: Niemeyer, 2001. PN 2075 .C65 1997
Bharucha, Rustom. Politics
of Cultural Practice: Thinking Through Theatre in an Age of Globalization.
Hanover:
Univ. Press of New England, 2000.
PN 2021 .B53 2000
Billington, Michael. One Night Stands: A Critic's View of Modern British Theatre. Portsmouth, NH: Heinemann, 1995. PN 2596 .L6 B54 1995
Boal, Augusto. Hamlet and the Baker's Son: My Life in Theatre and Politics. London: Routledge, 2001. PN 2474 .B63 A2 2001
Bond, Edward. The Hidden Plot: Notes on Theatre and the State. London: Methuen, 2000. PN 1643 .B6 2000
Brandreth, Gyles Daubeney. John Gielgud: An Actor's Life, revised & expanded edition. Stroud: Sutton Publishing, 2000. PN 2598 .G45 B7 2000
Bryer, Jackson R. ed. Actor's Art: Conversations with Contemporary American Stage Performers. New Brunswick: Rutgers Univ. Press, 2001. PN 2285 .A23 2001
Cardullo, Bert ed. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. New Haven: Yale Univ. Press, 2001. PN 6112 .T42 2001
Choudhury, Mita. Interculturalism
and Reisitance in the London Theater. 1660-1800: Identity, Performance,
Empire. Lewisburg: Bucknell Univ. Press, 2000.
PN 2596 .L6 C46 2000
Cockin, Katharine. Women and Theatre in the Age of Suffrage: The Pioneer Players, 1911-1925. Basingstoke, UK: Palgrave, 2001. PN 2593.13 .W65 C63 2001
Cohen, Leah Hager. Stuff of Dreams: Behind the Scenes of an American Community Theater. New York: Viking, 2001. PN 2297 .A77 C64 2001
Corson, Richard. Stage Makeup, 9th edition. Boston: Allyn & Bacon, 2001. PN 2068 .C65 2001
Essif, Les. Empty Figure on an Empty Stage: The Theatre of Samuel Beckett and His Generation. Bloomington: Indiana Univ. Press, 2001. PN 1861 .E77 2001
Flores, Yolanda. Drama of Gender: Feminist Theater by Women of the Americas. New York: Peter Lang, 2000. PQ 7082 .D7 F65 2000
Fox, Maria Stadter. Troubling Play of Gender: The Phaedra Dramas of Tsvetaeva, Yourcenar, and H.D. Fox, Maria Stadter, 1967- . Selinsgrove : Susquehanna University Press ; London ; Cranbury, N.J. : Associated University Presses, 2001. PN 1650 .P45 F69 3002
Hall, Peter. Exposed by the Mask: Form and Language in Drama. London: Oberon, 2000. PN 1650 .L36 H36 2000
Harding James M. ed. Contours of the Theatrical Avant-Garde: Performance and Textuality. Ann Arbor: Univ. of Michigan Press, 2000. PN 2193 .E86 C66 2000
Henderson, Mary C. Mielziner: Master of Modern Stage Design. New York: Back Stage/Watson-Guptill, 2001. PN 2096 .M5 H47 2001
Hoggett, Chris. Stage Crafts. Portsmouth: Heinemann, 2001. PN 2085 .H6 2001
Holledge, Julie. Women's Intercultural Performance. London: Routledge, 2000. PN 1590 .W64 H65 2000
Huerta, Jorge A. Chicano Drama: Performance, Society and Myth. Cambridge: Cambridge Univ. Press, 2000. PS 153 .M4 H84 2000
Hutchinson, Yvette & Breitinger, Eckhard eds. History and Theatre in Africa. Stellenbosch: Centre for Theatre and Performance Studies, 2000. PN 2969 .H57 2000
Kiebuzinska, Christine Olga. Intertextual Loops in Modern Drama. Madison: Fairleigh Dickinson Univ. Press, 2001. PN 1861 .K467 2001
Lahr, John. Show and Tell: New Yorker Profiles. Woodstock: Overlook, 2000. PN 2285 .L34 2000
Lecoq, Jacques. The Moving Body: Teaching Creative Theatre. London: Methuen, 2000. PN 2075 .L3813 2000
London, John ed. Theatre Under the Nazis. Manchester: Manchester Univ. Press, 2000. PN 2654 .T557 2000
McCabe, Terry. Mis-Directing the Play: An Argument Against Contemporary Theatre. Chicago: Ivan R. Dee, Inc., 2001. Pn 2053 .M393 2001
Masters, Brian. Thunder in the Air: Great Actors and Great Roles. London: Oberon, 2000. PN 2581 .M36 2000
Meyer-Dinkgrafe, Daniel. Approaches to Acting: Past and Present. London: Continuum, 2001. PN 2061 .M397 2001
Milling, Jane. Modern Theories of Performance: From Stanislavski to Boal. Basingstoke: Palgrave, 2001. PN 2039 .M518 2001
Moody, Jane. Illegitimate Theatre in London, 1770-1840. Cambridge: Cambridge Univ. Press, 2000. PN 2596 .L6 M59 2000
Pearson, Mike. Theatre/Archaeology. London: Routledge, 2001. PN 2039 .P375 2001
Morawetz, Thomas. Making Faces, Playing God: Identity and the Art of Transformational Makeup. Austin: Univ. of Texas Press, 2001. PN 2068 .M59 2001
Peterson, Bhekiziwe. Monarchs, Missionaries & African Intellectuals: African Theatre and the Unmaking of Colonial Marginality. Trenton: Africa World, 2000. PN 2985 .K86 P48 2000
Quince, Rohan. Shakespeare in South Africa: Stage Productions During the Apartheid Era. New York: Peter Lang, 2000. PR 3109 .S55 Q56 2000
Rogoff, Gordan. Vanishing Acts: Theater Since the Sixties. New Haven: Yale Univ. Press, 2000. PN 2277 .N5 R64 2000
Ruis Ramon, Francisco. Historia del Teatro Español. Madrid: Alianza Editorial, 1967-1971. PQ 6099 .R8 Vol 1-2
Sahlins, Bernard. Days
and Nights at the Second City: A Memoir, with Notes on Staging Review Theatre.
Chicago: Ivan R. Dee, Inc., 2001.
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Sweet, Jeffrey. Solving Your Script: Tools and Techniques for the Playwright. Portsmouth: Heinemann, 2001. PN 1661 .S85 2001
Swindells, Julia. Glorious
Causes: The Grand Theatre of Political Change, 1789 to 1833. London
: Oberon, 2000. Oxford: Oxford Univ. Press, 2001.
PN 2594 .S85 2001
Taylor, George. French Revolution and the London Stage, 1789-1805. Cambridge: Cambridge Univ. Press, 2000. PN 2596 .L6 T39 2000
Thomson, Peter. On Actors and Acting. Exeter: Univ. of Exeter Press, 2000. PN 2581 .T46 2000
Trotter, Mary. Ireland's
National Theaters: Political Performance and the Origins of the Irish Dramatic
Movement. Syracuse: Syracuse Univ. Press, 2001.
PN 2601 .T76 2001
Weigler, Will. Strategies for Playbuilding: Helping Groups Translate Issues into Theatre. Portsmouth: Heinemann, 2001. PN 2071 .I5 W45 2001
Winston, Joe. Beginning Drama 4-11. London: David Fulton, 2001. PN 3171 .W565 2001
Zayas de Lima, Perla. Contribucion
Bibliografica al Estudio del Teatro Argentino. Buenos Aires:
Associacion Argentina de Actores, 1985.
Quarto PN 2451 .X1 Z39 1985